CRITICAL ESSAYS<\/p>\n
\u201cHenry Giroux and the Arts,\u201d Policy Futures in Education<\/em>\u00a0 (2013).\u00a0 Special issue on Giroux, his career, and impact on the fields of education. Media, and cultural studies.<\/p>\n \u201cMerchants of Death: Media Violence and American Empire,\u201d Harvard Educational Review<\/em> (Fall 2003). Special issue on \u201cPopular Culture\u201d with essays by David Buckingham, Cameron McCarthy, and Paul Willis, among others.<\/p>\n \u201cFalse Promises: Utopian Rhetoric and the Digital Divide,\u201d Camerawork Quarterly <\/em>(Fall 2000).<\/p>\n \u201cProblem Youth,\u201d exhibition essay for \u201cThe Killer in You is the Killer in\u00a0\u00a0\u00a0 Me,\u201d by Daniel J. Martinez (Santa Monica: Smart Art Press, 1998)<\/p>\n \u201cKansallisuus, pedagogia ja media,\u201d Tiedotustutkimus<\/em>\u00a0 1\/1998 (Finland). Translation of \u201cNationalities, Pedagogies, and Media.\u201d<\/p>\n Essay Review of Henry A. Giroux, Fugitive Cultures: Race, Violence & Youth<\/em>\u00a0 and Channel Surfing Channel Surfing: Race Talk and The Destruction of Today\u2019s Youth<\/em> in Social Identities<\/em> (Spring 1998)<\/p>\n \u201cLocating California Culture,\u201d The Californian<\/em>, Discussion of migration and cultural mixing in California. (March 1997).<\/p>\n \u201cRepresentation and Resistance: An Interview with bell hooks, \u201c Socialist Review, <\/em>24, 1\/2 (1995).<\/p>\n \u201cLiving with Contradictions: Notes Toward a Language of Possibility,\u201d Artpaper<\/em>(Fall 1995).<\/p>\n \u201cNacionalidades, pedagogas y medios,\u201d\u00a0 trans., Ins. Dussel. Propuest Educativa<\/em> (Brazil) 6, no. 12 (July 1995). Translation of \u201cNationalities, Pedagogies, and Media.\u201d<\/p>\n \u201cThe New Politics of Victimization. Artpaper<\/em> (Summer 1995).\u00a0 Discussion of controversy surrounding choreographer Bill T Jones and New Yorker critic Arlene Croce.<\/p>\n \u201cRepresentation and Democracy,\u201d Socialist Review<\/em>, 24, 1\/2 (1995).<\/p>\n \u201cThe New Politics of Media Literacy,\u201d Review of Communication<\/em> (Winter 1994).<\/p>\n \u201cThe Fine Art of Teaching,\u201d Review of Education\/Pedagogy\/Cultural Studies<\/em>. 24 (Winter 1994). Discussion of recent experimental media education projects.<\/p>\n \u201cRethinking Media Activism: Why the Left is Losing the Culture War,\u201d Socialist Review<\/em> 23, 2 (1994). Analysis\u00a0 of relationships between the mass media and media activists.<\/p>\n \u201cNationalities, Pedagogies, and Media,\u201dCultural Studies<\/em> 7(1) (Winter 1993). Discussion of iconography of US identity in recent art, advertising, and entertainment.<\/p>\n \u201cCultural Workers, Pedagogy, and the Politics of Difference: Beyond Cultural Conservativism\u201d (with Henry A. Giroux) Cultural Studies<\/em>\u00a0 6 (1)(Winter 1992).<\/p>\n \u201cThe Politics of the Ordinary: Tradition and Change in Folk Art ,\u201d Art Papers<\/em> (Nov.-Dec. 1992). Essay on folk art and crafts.<\/p>\n \u201cLook Who’s Talking: Contested Narratives of Family.\u201d Afterimage<\/em>. (February, 1992). Essay review.\u00a0 Discussion of the image of the family in the media; reviews of recent books, exhibitions, and advertisements on the family.<\/p>\n \u201cA Change of Address: Work, Welfare, and the Discourse of Homelessness,\u201d\u00a0 Afterimage<\/em>. (October 1991). Analysis of media representations of poverty in the US.<\/p>\n \u201cTo Tell the Truth: Strategies for Media Literacy,\u201d Afterimage<\/em>. (April 1991). Review essay about “Teaching TV” video exhibition at Artists Space, New York, NY.<\/p>\n \u201cIntroduction\u201d to the\u00a0 “Photography and Education” issue of\u00a0 exposure<\/em> (Winter 1991).<\/p>\n \u201cVoltrons, Noozles, and Smurfs,\u201d Camerawork Quarterly<\/em> (1990). Analysis of international developments in media literacy through review of recent literature.<\/p>\n \u201cThe Coalition for Freedom of Expression,\u201d Artweek<\/em> (June 1990).<\/p>\n \u201cPopular Photography, Camerawork Quarterly<\/em> (1990).\u00a0 Introduction to a special issue of Camerawork Quarterly<\/em> devoted to cultural studies.<\/p>\n \u201cCritical Pedagogy and Cultural Power: An Interview with Henry A. Giroux,\u201d Afterimage.<\/em>\u00a0\u00a0 (November 1990)<\/p>\n \u201cCultural\u00a0 Struggle and Educational Activism,\u201d Afterimage<\/em>.\u00a0 (November 1989). The relationship of cultural work and popular education.<\/p>\n \u201cBeyond Resistance: Notes on Community Counter-practice,\u201d Afterimage.<\/em>\u00a0 (April 1989). Theoretical analysis of activist art projects.<\/p>\n \u201cChanging the Subject: From Reproduction to Resistance in Media Education,\u201d Afterimage<\/em>. (November 1988). Survey of innovative approaches to film and video education, 1963-1988.<\/p>\n \u201cIn There a Class in this Text?\u201d Afterimage<\/em>. (September 1988) Analysis of education reports from the National Endowments for the Arts and\u00a0 Humanities and the Getty Center for Arts in Education.<\/p>\n \u201cAlcohol Lake,” Afterimage.<\/em>\u00a0 (May 1987). Essay review: The Honour of All: The Alkali Lake Story.<\/em><\/p>\n \u201cBirds of Prey,\u201d Afterimage.<\/em>\u00a0 (November 1986). Essay review survey of books on space and space photography.<\/p>\n \u201cTheories of Relativity: An Interview with Bern Porter,\u201d Afterimage.<\/em>\u00a0 (November 1987).<\/p>\n \u201cBlack and White Photography,\u201d Afterimage<\/em>. (May 1986). Essay review:\u00a0 “Blacks in America: A Photographic Record,” International\u00a0 Museum of Photography at\u00a0 George Eastman House, Rochester, NY.<\/p>\n \u201cLetters and Characters,\u201d Afterimage.<\/em> (January 1986). Essay review: “Letterism and Hypergraphics: The Unknown Avant-Garde, 1945-1985,” Franklin Furnace, New York, NY.<\/p>\n BOOK CHAPTERS<\/p>\n \u201cViewers\u2019 Responses to Violent Media are Complex and Varied,\u201d in Stefan Kiesbye, ed. Is Media Violence a Problem?<\/em> (Farmington Hills, MI: Greenhaven, 2010).<\/p>\n \u201cThe Digital Divide,\u201d co-authored with Julia Nyberg, in Alberto Bursztyn, ed., The Encyclopedia of Special Education<\/em> (Westport, CT: Greenwood\/Prager, 2006).<\/p>\n Back to Cyberschool: Some of the Learning, None of the Fun\u201d, Jeffrey R. Di Leo and\u00a0 Walter R. Jacobs, eds.,If Classrooms Matter: Progressive Visions of Educational Environments<\/em> (Routledge, 2004).<\/p>\n \u201cChristine Tamblyn,\u201d in UC Academic Council, ed., In Memoriam, 1998<\/em>, (University of California Academic Senate, 1999).<\/p>\n \u201cCultural Struggle and Educational Activism,\u201d in Grant Kester, ed., Art, Activism, and Oppositionality<\/em> (Duke University Press, 1998).<\/p>\n \u201cThe Fine Art of Teaching,\u201d in Henry A. Giroux and Patrick Shannon, eds., Education and Cultural Studies<\/em>, (Routledge, 1997).<\/p>\n \u201cDemocracy’s Crisis of Meaning,\u201d in David Trend, ed., Radical\u00a0 Democracy: Identity, Citizenship, and the State<\/em>,\u00a0 (Routledge, 1996).<\/p>\n \u201cAn Interview with bell hooks,\u201d in David Trend, ed.\u00a0 Radical Democracy: Identity, Citizenship, and the State<\/em>, (Routledge, 1996).<\/p>\n \u201cMedia and National Identity,\u201d in Henry Giroux and Peter McLaren, eds. Between Borders: Pedagogy and Politics in Cultural Studies<\/em> (Routledge, 1993).<\/p>\n \u201cIntroduction,\u201d in Jesse Drew, ed., The Paper Tiger Guide to Television\u00a0 Repair<\/em> (San Francisco Art Institute, 1992).<\/p>\n \u201cCultural Workers and the Pedagogy of Cultural Politics: Writing Against the Empire,\u201d (with Henry A. Giroux), in Border Crossings,(Routledge 1992).<\/p>\n \u201cCritical Pedagogy and Cultural Power: An Interview with Henry A. Giroux,\u201d in Border Crossings<\/em>, Routledge, (1992).<\/p>\n \u201cIntroduction,\u201d in David Trend, ed. National Alliance of Media Arts Centers\u00a0 Member Guide<\/em> (1991)<\/p>\n <\/p>\n SELECTED REVIEWS OF BOOKS BY DAVID TREND<\/p>\n Marie Martin, \u201cWelcome to Cyberschool,\u201d British Journal of Educational Technology<\/em> Vol 25, No. 2 (March 2004) Review of Welcome to Cyberschool<\/em> by David Trend<\/p>\n David Silver (2004). \u201cInternet\/Cyberculture\/Digital Media\/New Media\/Fill-in-the-Blank Studies,\u201d New Media and Society<\/em>, Vol. 6, Iss. 1, pp. 55-64. Review of Reading Digital Culture<\/em> by David Trend<\/p>\n Karen Anijar, (2004) \u201cProletarian Professors, Digitized Classrooms,\u201d Radical Teacher<\/em>, No. 71, pp 23-24. Review of Welcome to Cyberschool<\/em> by David Trend<\/p>\n Jeremy Tambling, \u201cReading Digital Culture,\u201d Modern Language Review<\/em>, Vol 98. No 1 (2003) pp. 191-193. Review of Reading Digital Culture<\/em> by David Trend<\/p>\n Gil Kirkup, \u201cWelcome to Cyberschool: Education at the Crossroads in the Information Age,\u201d Computers and Education<\/em>, Vol 40, No. 2 (Feb. 2003) pp. 193-194. Review of Welcome to Cyberschool<\/em> by David Trend<\/p>\n Cynthia Carter Ching, \u201cWelcome to Cyberschool: Education at the Crossroads in the Information Age, Teachers College Record<\/em>, Vol 105, No. 7 (2003)\u00a0 pp 1394-1397 Review of Welcome to Cyberschool<\/em> by David Trend<\/p>\n Alistair S. Duff, (2001), \u201cReading Digital Culture,\u201d Library Review<\/em>, Vol. 50. Iss. 9, pp.468-476.\u00a0 Review of Reading Digital Culture<\/em> by David Trend<\/p>\n James Piecowye, \u201cCultural Democracy: Politics, Media, New Technology,\u201d Canadian Journal of Communication<\/em>, Vol 24, no. 4 (1999) Review of Cultural Democracy<\/em> by David Trend<\/p>\n Jane Mansbridge, \u201cThe Holding Pattern,\u201d Political Theory<\/em>, Vo. 27, No. 5 (Oct 1999) pp. 706-715. Review of Radical Democracy<\/em> by David Trend<\/p>\n Alan Keenan, The Beautiful Enigma of Radical Democracy, Theory and Event<\/em>, Vol 1, no, 3 (1997) Review of Radical Democracy<\/em> by David Trend<\/p>\n <\/p>\n EDITED JOURNAL ISSUES<\/p>\n Socialist Review<\/em>, “Radical Democracy,” (1994). Originating volume for book of same title. Contributors: Aronowitz, Dhaliwal, Ehrenreich, Epstein, Flacks, Omi, Winant, and Zaretsky.<\/p>\n Socialist Review<\/em>, “Media as Activism,” (1994). Contributions by Cheryl Duyne, Nancy Fishman, Henry Giroux, Fred Glass, Steve Grandell, Karl Knapper, Ming-Yueng-Ma, Fred Pfeil, Desi Del Valle, Howard Winant, Patricia Zimmermann.<\/p>\n Exposure<\/em>, “Photography and Education,” Society for Photographic Education, Boulder, CO\u00a0 (1990),\u00a0 Contributors: Don Adams, Richard Bolton, Henry Giroux, Arlene Goldbard, Jan Zita Grover, Peter McLaren, Chan Kwan Meng, Christine Tamblyn, Gregory Ulmer, Judith Williamson, Constance Wolf.<\/p>\n San Francisco Camerawork<\/em> (1990). Issue of quarterly publication entitled “Popular Photography.” Contributors. Jan Zita Grover, Rupert Jenkins, Lorraine Kenny, Elizabeth Kotz, David Trend, among\u00a0 others.<\/p>\n <\/p>\n REVIEWS OF BOOKS, EXHIBITIONS, AND MEDIA<\/p>\n \u201cBook Review,\u201d Symploke<\/em> (Winter 2005). Review of Cybering Democracy: Public Space and the Internet<\/em> by Diana Saco.<\/p>\n \u201cEnabling Sites,\u201d Afterimage.<\/em> (November 1992). Review of The Creatures Time Forgot: Photography and Disability Imagery by David Hevey.<\/p>\n \u201cLook Who’s Talking: Contested Narratives of Family,\u201d Afterimage.<\/em>\u00a0 (February, 1992). Recent books, exhibitions, and advertisements on the family.<\/p>\n \u201cSchool for Scoundrels,\u201d Afterimage<\/em>. (November 1991). Review of The Ideology of Images in Educational Media.<\/em><\/p>\n \u201cConnie Hatch at Mills College,\u201d Art in America<\/em>\u00a0 (May 1991). Exhibition review.<\/p>\n \u201cOn Media Literacy,\u201d Video Networks<\/em>, (May 1991). Book review of Media and You<\/em> and discussion of recent media literacy education.<\/p>\n \u201cTake the Power Not the Pipe,\u201d Afterimage<\/em>. (April 1990).\u00a0 Exhibition review, “The Hidden Apparatus is at Us,” exhibition at Artists Television Access, San Francisco, CA.<\/p>\n \u201cThe Writing on the Wall.\u201d Afterimage<\/em>. (September 1989). Exhibition review, “Literacy on the Table: Cultural Fluency and the Act of Reading,” exhibition and symposium, Bronx Council on the Arts, Bronx, NY.<\/p>\n \u201cMultiple Choice.\u201d Afterimage<\/em>. (May 1989). Exhibition review:\u00a0 “Out of the Classroom: Social Education Through Art,” Minor Injury, Brooklyn,\u00a0NY.<\/p>\n \u201cLessons of Democracy,\u201d Afterimage.<\/em>\u00a0 (January 1989). Book review: Schooling and the Struggle for Public Life: Critical Pedagogy in the Modern Age<\/em>, by Henry A. Giroux.<\/p>\n \u201cFraming and Being Framed,\u201d Afterimage.<\/em>\u00a0 (April 1988). Exhibition review: “Committed to Print: Social and Political Themes in Recent American Printed Art,” Museum of Modern Art, New\u00a0 York, NY.<\/p>\n \u201cBack to School,\u201d Afterimage<\/em>. (December 1988). Exhibition review: “Education and Democracy” by Group Material, DIA Art Foundation, New York, NY.<\/p>\n \u201cSometimes a Great Notion,\u201d Afterimage<\/em>. (March 1988).\u00a0 Book Review: Paraesthetics: Foucault, Lyotard, Derrida<\/em> by David Carrol.<\/p>\n \u201cTogether We Stand,\u201d Afterimage.<\/em>\u00a0 (October 1988). Book review: Making Art Together: Step-by-Step<\/em>\u00a0 by Herb Perr.<\/p>\n \u201cLiving with Contradictions,\u201d Afterimage.<\/em>\u00a0 (May 1987). Exhibition review: “Concrete Crisis: Urban Images of the 80s,” Exit Art, New York, NY.<\/p>\n \u201cBeing There,\u201d Afterimage.<\/em>\u00a0 (April 1987). Exhibition review: “Out of Studio: Art with Community,” P.S. 1, Long Island City, NY.<\/p>\n \u201cTalking Union,\u201d Afterimage.<\/em>\u00a0 (March 1987). Book review: First Contract: Women and the Fight to Unionize<\/em> by Carole Conde and Karl Beveridge.<\/p>\n \u201cCritical Distance,\u201d Afterimage<\/em>. (December 1987).\u00a0 Book Review: Discussions\u00a0 in Contemporary Culture, Number One<\/em>, Hal Foster, ed.<\/p>\n \u201cDiamonds and Rust,\u201d Afterimage.<\/em>\u00a0 (December 1986). Book Review: Margaret Bourke-White<\/em> by Vicki Goldberg.<\/p>\n \u201cNuevo Creole,\u201d Afterimage<\/em>. (December 1986). Exhibition review: ” A Decade of En Foco,” Bronx Museum of the Arts, Bronx, NY.<\/p>\n \u201cCultures in Contention,\u201d Afterimage.<\/em> (September 1986). Book Review: Artists Against War and Fascism<\/em>. Matthew Baigell and Julia Williams, eds.<\/p>\n \u201cModern Times,\u201d Afterimage.<\/em> (May 1986). Video review: The Appropriation of Culture: The IBM Tramp<\/em> by Steve Papson.<\/p>\n \u201cHeroes are Hard to Find,\u201d Afterimage.<\/em>\u00a0 (December 1980). Book review: A Philosophy of Photography<\/em> by Bill Jay.<\/p>\n <\/p>\n JOURNALISM<\/p>\n \u201cNadine McGann,\u201d Afterimage <\/em>May\/June 2005<\/p>\n \u201cFor Art\u2019s Sake: David Trend Offers Some Tips on Appreciating Art,\u201d UCI News<\/em>. (March 3, 1999)\u00a0p. 2.<\/p>\n \u201cChristine Tamblyn, 1951-1998,\u201d\u00a0 Afterimage<\/em>, (Mar\/Apr. 1998).<\/p>\n \u201cEye Closed,\u201d Analysis of cultural philanthropy in San Francisco, Afterimage <\/em>(Summer 1995).<\/p>\n \u201cThe Most Dangerous Man in America?\u201d Discussion of media personality Rush Limbaugh. Artpaper<\/em> (April 1993).<\/p>\n \u201cThe Politics of Philanthropy: Cultural Policy and the Public Interest,\u201d Afterimage<\/em>.\u00a0 (March 1993). Discussion of the history of funding controversies at the National Endowment for the Arts and other agencies.<\/p>\n \u201cMulticultural Tensions in\u00a0 Arts Funding Policies,\u201d National Association of Social Workers Newsletter<\/em> (July 1992).<\/p>\n \u201cRadice’s Revenge,\u201d Analysis of post-election censorship of gay and lesbian media grants. Artpaper<\/em> (December 1992).<\/p>\n \u201cNEA Watch,\u201d Analysis of recent legislation and\u00a0 court rulings. Artpaper<\/em> (September 1992).<\/p>\n \u201cThe Candidates and the Arts,\u201d\u00a0 Election campaign analysis. Artpaper<\/em>. (October 1992).<\/p>\n \u201cBurning the Flagged at the NEA,\u201d Afterimage.<\/em>\u00a0 (March 1992). Discussion of grant rejections by the National Council on the Arts.<\/p>\n \u201cThe Coalition for Freedom of Expression,\u201d\u00a0 Artweek<\/em> (June 1990).<\/p>\n \u201cThe Empire Strikes Back,\u201d Afterimage.<\/em>\u00a0 (September 1989). News commentary, censorship controversies involving the National Endowment for the Arts.<\/p>\n \u201cYour Money or Your Politics,\u201d Afterimage.<\/em>\u00a0 (March 1989). Report on censorship controversies in public art patronage.<\/p>\n \u201cOne Hand Clapping,\u201d Afterimage.<\/em>\u00a0 (Summer 1988). Report on the National Association of Artists Organizations, Los Angeles, CA.<\/p>\n \u201cVantage Points: The Society for Photographic Education at 25,\u201d Afterimage.<\/em>\u00a0 (May 1988).\u00a0 Report of national meeting, Houston, TX.<\/p>\n \u201cReinventing the Flat Tire,\u201d Afterimage.<\/em>\u00a0 (January 1988). Report on NYSCA sponsored literary and artists’ publishing conference.<\/p>\n \u201cCriticism Unendowed,\u201d Afterimage.<\/em>\u00a0 (November 1987). Analysis of panel reversals and program redesign at the National Endowment for the Arts.<\/p>\n \u201cThe Color of Money,\u201d Afterimage.<\/em>\u00a0 (January 1987). Report on museum capital campaigns.<\/p>\n \u201cGet the Message?\u201d Afterimage<\/em>.(September 1987). The annual meeting of the National Alliance of Media Arts Centers.<\/p>\n \u201cProgress Versus Utopia,\u201d Afterimage<\/em>.\u00a0 (December 1987).\u00a0 The Museum of Modern Art’s Bill Viola exhibition and the annual meeting of the New York Media Alliance.<\/p>\n \u201cLiving on the Fault Line,\u201d Afterimage<\/em>. (Summer 1987). National conference of the Society for Photographic Education, San Diego, CA.<\/p>\n \u201cBuilding on the Museum’s Ruins,\u201d Afterimage<\/em>. (April 1987). Report on the redesign of exhibitions at the International Museum of Photography at George Eastman House, Rochester, NY.<\/p>\n \u201cBig Macs and Whoppers,\u201d Afterimage<\/em>. (March 1987). Analysis of funding by the John D. and Catherine T. MacArthur Foundation.<\/p>\n \u201cTrue Stories,\u201d Afterimage<\/em>. (January 1987). Report on the “Viewpoints : Women, Culture, Media” conference, Hunter College, New York, NY.<\/p>\n \u201cIntroduction,\u201d to “The Artists’ Organization: Past, Present, Future” (Special Supplement to Afterimage<\/em>, October 1986).<\/p>\n \u201cEscape from New York,\u201d Afterimage<\/em>. (December 1986). Annual meeting\u00a0 of\u00a0 the New York Media Alliance.<\/p>\n \u201cThe Ministry of Culture?\u201d Afterimage.<\/em>\u00a0 (October 1986). Analysis of funding\u00a0 procedures at the National Endowment for the Arts.<\/p>\n \u201cUntitled (Article),\u201d Afterimage.<\/em>\u00a0 (November 1986). Report on the National Association of Artist Organizations.<\/p>\n \u201cIt’s My Party and I’ll Cry If I Want…\u201d Afterimage.<\/em>(October 1985). Report on congressional reauthorization hearings for the National Endowment for the Arts.<\/p>\n \u201cThe Politics of Representation,\u201d Afterimage.<\/em> (May 1985). Annual conference of the Society for Photographic Education, Minneapolis, MN.<\/p>\n